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With minimal lighting and a gargantuan soundscape, the comedic, personable script leads up to a sucker punch of a final fifteen minutes that is all the starker in contrast.
Although I feel Forristal’s style of writing would have brilliantly served a further exploration of queerness, I would note that what impressed me most was that Forristal knows her audience – her playful script is ready-made for the millennial generation.
This show is a part of an ongoing public conversation, and you have to admit, it’s a good way to keep the (odd)ball rolling.
SO: I’ve always been involved in performing arts, but lost my confidence as I progressed from a teenager into a young adult.
Image © Emma Nathan Find out when the next tickets for this experience are released and book here. Despite a lack of props and stage settings, Forristal bounces, jumps and moves around the stage as if it were a gymnasium.
CW: Eating Disorders “All Oddball has to do is behave like a normal person on a date. Though the script can tend to lag at times, Forristal’s kooky and charming performance keeps us engaged and zoned in on her from start to finish.
However, it’s projects such as ‘Willow’ that have allowed me to grow as an actor since it’s a story I believe I can tell because of its honest and direct insight Into a relationship involving two women.
AT: You’re currently playing Lottie in Willow coming to the Bunker in Sept – what is it about?