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But Condo, 58 — who was commissioned by Kanye West to create artwork for the 2010 album “My Beautiful Dark Twisted Fantasy” — has recently been seen around town with Ashley Olsen, 30, including “holding hands and snuggling” Sunday at Balthazar, and looking “romantic” at the Mercer Hotel in June.
Condo’s reps previously told us they were meeting for “business.” He recently created an ad for the Row, Ashley and Mary-Kate Olsen’s fashion line. There was a lot more than just money at stake here.” Condo told The Post, “I’m happy with the outcome,” while Anna’s attorney, Donald Schuck, said, “Another happy ending.
On Wednesday, Judge Matthew Cooper commended Condo and Anna for ending the marriage with “dignity and grace . We’re happy it’s all resolved now.” During the four-hour negotiation, the couple couldn’t even sit in the same room together, and lawyers had to shuttle papers back and forth.
Official paperwork still needs to be filed, but the agreement is binding.
Similarly, when locations or networks turn down the entire campaign, Hobley says the Ok Cupid team is often perplexed by the decision.
The recurring theme of politics in the campaign is no coincidence.
The couple separated in 2013, and Anna filed papers in 2014.
Created by Wieden Kennedy New York under the brand’s first CMO, Melissa Hobley, the ads recast DTF—typically meant as a derogatory term for women who are “down to fuck”—into new interpretations that represent what single people might really be looking for in a relationship.
Perhaps you’re “Down to Farmer’s Market” or “Down to Feel Fabulous.” Or maybe you’re just “Down to Forget Our Baggage.” “The insight driving this campaign was that this phrase, DTF, is one that is typically used as a label on young women, one that they have no say or no voice in,” Hobley tells Adweek.
“Certainly this campaign was birthed in the era of ‘Me Too’ and in a year that’s really important for women.” The campaign has boosted social mentions of Ok Cupid by 50 percent, according to the brand.
And more importantly to Hobley, the ads have resonated with young women and members of the LGBTQ community, as illustrated by this Instagram post from the New York Subway: But not all the ads have been welcome everywhere, and in fact the entire campaign was rejected outright by the Chicago Transit Authority.