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She was associate professor of voice/acting/text in the B. She has coached voice and dialect in more than 50 productions nationwide. Shafarman volunteers at Healthwell Physical Therapy Clinic and is training to teach Mindfulness-Based Stress Reduction. He has served as a theater panelist for the National Foundation for Advancement of the Arts and is a member of AEA and SAG.
As a professional actor, she has performed with numerous repertory companies and Shakespeare festivals throughout the country. JACK SHARRAR (Director of Academic Affairs, Theater History) is a recipient of A. He is author of Avery Hopwood: His Life and Plays (UMI); contributor to the American National Biography (Oxford) and The Gay and Lesbian Theatrical Heritage (UMI); coeditor of numerous award-winning scene and monologue books, with Craig Slaight (Smith & Kraus); adapter of F.
Mac Kinnon grew up in Toronto, Canada and outside Buffalo, New York. In 1999 Peter Pastreich was made a Jennifer Bielstein (Executive Director) joined A. She serves on the board of Theatre Forward and is president of the League of Resident Theatres (LORT)—an organization that represents 75 theaters nationwide—having previously served as LORT’s vice president; chair of its Equity, Diversity, and Inclusion Committee; secretary; and on multiple union negotiating teams. Stephanie has also launched drama therapy programs to the Boys and Girls Clubs of Orange County in California. Her domestic arts and community organizing experience ranges from devising new works with formerly incarcerated youth in Los Angeles to coaching youth in a pedagogies of art and social change program at Penumbra Theatre in St. Benjamin has taught and coached productions for numerous theaters and training programs throughout the United States and Canada, and at the National Theatre School and Theatre Za Keum in Zagreb, Croatia. Jessica Berman is a voice, dialect, and text coach. Buescher has taught physical theater at Yale School of Drama, Brown University/ Trinity Rep, and New York University’s La Pietra program. She also wrote a new translation of Brecht's The Caucasian Chalk Circle, which premiered at A. As playwright, her musical, and has appeared in a number of films. Carlin is a member of SDC, AEA, SAG-AFTRA, and the Dramatists Guild.
She attended Clarence Central High School, and majored in economics and political science at the University of Toronto. Prior to relocating to the Bay Area, Bielstein was managing director of the Guthrie Theater in Minneapolis where she was also a member of the Minneapolis Downtown Council Board of Directors, the Minnesota Women’s Economic Roundtable, and the Women Presidents’ Organization. While there, Stephanie assisted the children to produce their own adaptation of fairytales, such as Rebecca Struch is a theater artist, educator, and community organizer. Paul, Minnesota Internationally, she trained in Brazil at the Center for Theatre of the Oppressed and has worked with therapists, youth, and health educators in Rwanda and Kenya. She was head of voice for the actor training program at Illinois State University (1992–95). She has led dialect workshops and voice warm ups for the Royal Shakespeare Company, and has taught voice, speech, and dialects at U. Buescher has performed nationally and internationally with the physical-based company Dell’Arte International, and locally with Shotgun Players, Scott Wells and Dancers, and Deborah Slater Dance Theater. The Musical, the world premiere of the musical Homefront, and Korczak's Children. She is the recipient of numerous Bay Area Theatre Critics Circle, and Drama Logue awards for best Principle Performance, Best Supporting Performance, and Best Director.
He now lives and works in Oakland, CA, where he also plays guitar in the punk band The Big Forgive. He was resident voice coach at the Children's Theatre in Minneapolis (1990–92) and has also coached at Theatre de la Jeune Lune, Mixed Blood, Theatre Manoeuvres (London), Berkeley Repertory Theatre, California Shakespeare Theater, Word for Word, and Shotgun Players. DOMENIQUE LOZANO (Resident Artist) has directed A Christmas Carol on the A. In June 2003, Mark was the resident playwright of the Djerassi Resident Artists Program, where he was awarded the William and Flora Hewlett Foundation Honorary Fellowship.
Also in 2012, Erika was nominated for a Helen Hayes Award in choreography for of directed by Aaron Posner at the Folger Theater/ Washington DC.He has a private practice in San Francisco and Rome. LYNNE SOFFER, actor, teacher, director, dialect and text coach, has taught for A. T., Berkeley Rep School of Theatre, San Jose State University, PCPA Theaterfest, Voicetrax, Marin Theatre Company, and Alaska Artists in Schools Programs. T., Berkeley Repertory Theatre, San Jose Repertory Theatre, Theatre Works, Sacramento Theatre Company, California Shakespeare Theater, Alaska Repertory Theater, Magic Theatre, Encore Theatre Company, Word for Word Performing Arts Company, Golden Thread Productions, San Francisco Opera, and Arizona Theatre Company, and will be directing ELYSE SHAFARMAN (Alexander Technique) teaches Alexander Technique at A. T., Berkeley Rep School of Theatre, and in private practice in San Francisco and Berkeley. Her background includes a master's degree in physiological psychology, a ten-year career as a modern dancer, and training in a wide array of movement disciplines, including Gyrotonics, Svaroopa Yoga, and Body-Mind Centering.LISA ANNE PORTER (Co-Head of Voice and Dialects) has served on the faculties of UC Davis, San Francisco State University, Shakespeare & Company, The Tepper Center (New York City), Naropa University, California Shakespeare Theater, and Berkeley Repertory Theatre. program at Syracuse University (2001–06), where in her first year teaching, she was awarded the Most Inspirational Faculty Award. She has coached over 260 shows including the World Premiere of . She trained with Frank Ottiwell at the Alexander Training Institute of San Francisco and continued that education for many years by assisting in Ottiwell's classes at A. She has taught Alexander Technique elsewhere around the Bay Area at Elephant Pharmacy, The French American International High School, and San Francisco State University.premiered at the Théâtre de Paris in October 2014 in a production starring Isabelle Adjani and Niels Schneider and was produced at the Williamstown Theater Festival last summer, starring Cynthia Nixon and directed by Jo Bonney. A recipient of France’s Chevalier de l’Ordre des Arts et des Lettres and the National Corporate Theatre Fund’s 2007 Artistic Achievement Award, Perloff received a B. Phi Beta Kappa in classics and comparative literature from Stanford University and was a Fulbright Fellow at Oxford. Perloff is the author of (Steppenwolf Theatre Company, Arena Stage, Broadway), starring Tracy Letts, Amy Morton, Carrie Coon, and Madison Dirks. Pastreich was the chief administrator responsible for the construction of Davies Symphony Hall in San Francisco, and for its acoustical renovation. Conservatory, Smith was the director of the program in theater and dance at Princeton University, where she taught introductory, intermediate, and advanced acting. Robert O’Hara); NJPAC Stage Exchange (new play commissions w/ NJ theaters, world premieres). T., Slaight was an award-winning professional director in Los Angeles. T.'s audience education efforts for 19 years as publications editor, overseeing all of the theater's dramaturgical publications. Brodersen co-chaired the Education Committee formed by the A. Recently he was the Recreation Specialist for the Gilroy Youth Center and Ochoa Migrant Camp. Jessica also works with business professionals and private individuals on communication, presence, and presentation skills. He has designed movement for various theaters, including Trinity Rep, Long Wharf Theatre, and The Providence Black Repertory Company. Gabriel trained and danced with the Berkshire Ballet Company, is a certified instructor of the Michael Chekhov Technique, evaluates theater arts curricula for the New York State Education Department, and received his undergraduate degree in musical theater from the University of Michigan.was workshopped at the O’Neill National Playwrights Conference, premiered at Lucille Lortel’s White Barn Theatre, and was produced at A. She was on the faculty of the Tisch School of the Arts at New York University for seven years, and teaches and directs in the A. Her production also received the Tony for Best Revival of a Play. Before coming to San Francisco, he spent 12 years as executive director of the Saint Louis Symphony Orchestra, and 6 years as managing director of the Mississippi River Festival. She has taught acting, improvisation, and scene study to students of all ages in various colleges, high schools, and studios and is featured in Acting Teachers of America: A Vital Tradition. Previously, he served as Artistic Director of Naked Angels in New York City for four seasons, where his producing credits include . as resident dramaturg and director of humanities in August 2005, and since then has dramaturged more than 50 mainstage and workshop productions. mainstage productions and as a member of the artistic team of the company. To date, more than 35 new plays by leading American and British playwrights have been developed and produced. ) has worked at Berkeley Repertory Theatre, Center REPertory Company, San Francisco Opera’s Merola Opera Program, and San Francisco Playhouse. He has served on the Gilroy Youth Task Force and worked for South County Cal-SOAP. in Classical Acting from the Academy for Classical Acting at the Shakespeare Theatre Company, George Washington University in Washington D. She has performed with Shakespeare Santa Cruz, Marin Theatre Company, San Francisco Playhouse, La Ma Ma Experimental Theatre Club, and Olney Theatre Center, as well as with Collaboration Town and We Players. Buescher has performed nationally and internationally with the Dell'Arte Company and is the artistic director of Workhorse, an ensemble-based company. He is a Ten Chimneys Foundation Lunt-Fontanne Fellow KARI PRINDL (Alexander Technique) grew up around the world before graduating from Oberlin College with a degree in English with a concentration in theater.